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Fondazione Palazzo Ducale Genova

Wolfsoniana Musei di Nervi via Serra Gropallo 4,  16167 Genova Nervi (November to March): Wednesday to Sunday, 11.00 a.m. – 05.00 p.m.; Closed on Monday orario estivo  (April to October): Wednesday to Friday, 11.00 a.m. – 06.00 p.m.; Saturday and Sunday  12.00 a.m. – 7.00 p.m.; Closed on Monday tel: 010 32313329

Futurism and Propaganda

The main fascist iconographic motives interweave with the development of futurist research in the years straddling the two wars and in particular with the Thirties Manifesto of Aeropainting.

While the fascist political strategy used classical models in order to emphasize its similarities regime with the Roman Empire, the works of the artists who belonged to the various branches of the movement called Second Futurism still headed by Filippo Tommaso Marinetti reflect the celebratory themes of an official art inspired by war-mongering inclinations and a widespread cult of the Duce’s figure and personality. The painting by Ettore ThayahtIl grande nocchiere (The Great Helmsman) 1939, which depicts Mussolini as a great robot, is a revealing example of this tendency.

Ernesto (Michahelles) Thayaht, Il grande nocchiere, 1939
Enrico Prampolini, Aeroritratto simultaneo di Italo Balbo, 1940