{"id":5180,"date":"2020-02-15T17:26:56","date_gmt":"2020-02-15T16:26:56","guid":{"rendered":"https:\/\/palazzoducale.genova.it\/art-deco\/"},"modified":"2023-10-27T12:37:51","modified_gmt":"2023-10-27T10:37:51","slug":"art-deco","status":"publish","type":"post","link":"https:\/\/palazzoducale.genova.it\/en\/art-deco\/","title":{"rendered":"Art Deco"},"content":{"rendered":"\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p>The Wolfson collection \u2013 the furniture, the metalwork,&nbsp;<strong>Gio Ponti\u2019s and Guido Andlovitz\u2019s ceramics<\/strong>&nbsp;and the vase by&nbsp;<em>&nbsp;La Salamandra of Perugia<\/em>&nbsp;exhibited in Monza in 1930 \u2013 testifies the spread of the Art Deco style in Italy which lasted through the first years of the Thirties.<\/p>\n\n\n\n<p>In the attempt to renovate Italian art by means of a direct confrontation with international production, the First International Biennial Exhibition of Decorative Arts was established in Monza in 1923. The exhibition is divided into regional sections and presents several displays such as the&nbsp;<strong>dining room by Vittorio Zecchin&nbsp;<\/strong>in the Thrre Venetias section and the furniture by&nbsp;<strong>Ettore Zaccari&nbsp;<\/strong>in the Lombardy one. Even though they still present features of the local art, they are linked to the European artistic panorama.<\/p>\n\n\n\n<p><em>L\u2019Exposition Internationale des Art d\u00e9coratifs et Industriels modernes&nbsp;<\/em>in Paris in 1925 banished Rustic Art and decreed the triumph of Art Deco, the name actually originating from the Parisian exhibition.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"325\" src=\"https:\/\/palazzoducale.genova.it\/wp-content\/uploads\/laSalamandravaso.gif\" alt=\"La Salamandra, Vaso, 1930\" class=\"wp-image-3708\"\/><\/figure>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/palazzoducale.genova.it\/en\/temathic-itineraries\/\" data-type=\"URL\" data-id=\"https:\/\/palazzoducale.genova.it\/en\/temathic-itineraries\/\" target=\"_blank\" rel=\"noreferrer noopener\">back<\/a><\/h4>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Wolfson collection \u2013 the furniture, the metalwork,&nbsp;Gio Ponti\u2019s and Guido Andlovitz\u2019s ceramics&nbsp;and the vase by&nbsp;&nbsp;La Salamandra of Perugia&nbsp;exhibited in Monza in 1930 \u2013 testifies the spread of the Art Deco style in Italy which lasted through the first years of the Thirties. In the attempt to renovate Italian art by means of a direct &hellip; <a href=\"https:\/\/palazzoducale.genova.it\/en\/art-deco\/\">Continue<\/a><\/p>\n","protected":false},"author":2,"featured_media":86208,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[30],"tags":[],"class_list":["post-5180","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wolfsoniana-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Art Deco -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/palazzoducale.genova.it\/en\/art-deco\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Art Deco -\" \/>\n<meta property=\"og:description\" content=\"The Wolfson collection \u2013 the furniture, the metalwork,&nbsp;Gio Ponti\u2019s and Guido Andlovitz\u2019s ceramics&nbsp;and the vase by&nbsp;&nbsp;La Salamandra of Perugia&nbsp;exhibited in Monza in 1930 \u2013 testifies the spread of the Art Deco style in Italy which lasted through the first years of the Thirties. 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