{"version":"1.0","provider_name":"","provider_url":"https:\/\/palazzoducale.genova.it\/en\/","author_name":"Ducale","author_url":"https:\/\/palazzoducale.genova.it\/en\/author\/_ducale_editor\/","title":"Futurism and Propaganda -","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"iDufxagkoT\"><a href=\"https:\/\/palazzoducale.genova.it\/en\/futurism-and-propaganda\/\">Futurism and Propaganda<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/palazzoducale.genova.it\/en\/futurism-and-propaganda\/embed\/#?secret=iDufxagkoT\" width=\"600\" height=\"338\" title=\"&#8220;Futurism and Propaganda&#8221; &#8212; \" data-secret=\"iDufxagkoT\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/palazzoducale.genova.it\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/palazzoducale.genova.it\/wp-content\/uploads\/yhyat.jpg","thumbnail_width":500,"thumbnail_height":554,"description":"The main fascist iconographic motives interweave with the development of futurist research in the years straddling the two wars and in particular with the&nbsp;Thirties Manifesto of Aeropainting. While the fascist political strategy used classical models in order to emphasize its similarities regime with the Roman Empire, the works of the artists who belonged to the &hellip; Continue"}